About us
MUSLAB is an International Electroacoustic Music Showcase that seeks to bring together and disseminate the creation and exploration of sound by artists from different parts of the world. Its objective is to promote the creative process and contemporary artistic communication through activities that bring the public closer to experimental sound creation, offer artists new platforms of expression and foster a network of global exchange through concerts, training in new technologies and cultural activities.
HISTORY
MUSLAB 2014 - 2023 2120 works received in its nine editions. Artists: 1050 composers of all ages, from 46 countries around the world scheduled between 2014 and 2022. Concerts: 121 concerts in 9 different countries. Countries: Mexico, Brazil, Argentina, Peru, Ecuador, Spain, Portugal, England and France. 20 different cities: Mexico City, Ciudad Juárez, Tamaulipas, Veracruz, Nayarit, Buenos Aires, Córdova, Rio de Janeiro, Sao Paulo, Juis du fora, Guayaquil, London, Coventry, Chealse, Reims, Rennes, Nice, Madrid, Lisbon, Seia . Audience: More than 20,000 direct audience. 32 participating institutions.
2023
MUSLAB opens its call for projects 2023: Composers and visual artists of any age, gender or nationality are invited to participate by sending their electroacoustic music or video-art works to the MUSLAB 2023 International Electroacoustic Music Showcase.
2023
IBERMUSICAS Argentina. Guest country Mexico. Grants for Festivals and Meetings for the mobility of Musicians and Musicians, 2019 Lecture cycles and didactic concerts by Ibero-American composers of electroacoustic music. Cycle of educational conferences and concerts, seeks to gather a collection seeking to promote interest and respect for diversity for the intangible heritage of contemporary Latin American art.
2023
MUSLAB - Complex Planet Call for Works 2023: Composers and visual artists of any age, gender or nationality are invited to participate by sending their electroacoustic music or video-art works to the MUSLAB 2023 International Electroacoustic Music Showcase.
2022
IBERMUSICAS Mexico. Guest country Argentina Grants for Festivals and Meetings for the mobility of Musicians and Musicians, 2019 Lecture cycles and didactic concerts by Ibero-American composers of electroacoustic music. Cycle of educational conferences and concerts, seeks to gather a collection seeking to promote interest and respect for diversity for the intangible heritage of contemporary Latin American art.
2022
Campus MUSLAB, is a training center in sound creation and electroacoustic music that brings together an educational offer in Spanish, and proposes different training courses taught by different renowned Latin American composers that range from initiation to specialization. Our courses are focused on strengthening the skills of Spanish-speaking artists in the development of their skills through access to multimedia training that promotes the professionalization of artistic projects.
2020
The cycle Electroacústicas del mundo ends, a cycle of electroacoustic concerts held at Casa del Lago UNAM, in collaboration with the pianist José Wolffer, curated by Pedro Castillo Lara, where music from different sound research laboratories from different countries was exhibited of the world. LINK
2020
1ST CD CALL FOR RECORDINGS IN COPRODUCTION- 215 Works received. 32 selected artists. 4 CDS Mexico, Argentina, Brazil, Spain, England, Portugal and France. Cultural Center of Spain in Mexico, UAM Xochimilco, UAM Lerma, Casa del Lago UNAM, Radio UNAM, Ars Contemporanea, LIPM, UNI Rio, URFJ, Iklectik, UAM Madrid, Université Nice, CESARE, Reims Conservatory, DME Portugal, Seia Conservatory.
2020
Electroacoustics of the world, a cycle of electroacoustic concerts held at Casa del Lago UNAM, in collaboration with the pianist José Wolffer, curated by Pedro Castillo Lara, where music from different sound research laboratories from different countries of the world was exhibited.
2020
CALL FOR WORKS 500 works received from 54 countries. CANCELED DUE TO COVID 19 IBERMUSICAS Mexico, Argentina, Brazil, Spain, England, Portugal and France. Cultural Center of Spain in Mexico, UAM Xochimilco, UAM Lerma, Casa del Lago UNAM, Radio UNAM, Ars Contemporanea, LIPM, UNI Rio, URFJ, Iklectik, UAM Madrid, Université Nice, CESARE, Reims Conservatory, DME Portugal, Seia Conservatory.
2019
IBERMUSICAS Grants for Festivals and Meetings for the mobility of Musicians and Musicians, is a call for festivals, meetings, markets, forums, fairs or public or private concert halls, which promote the circulation and knowledge of Ibero-American music from all genres between June 1 and December 31, 2021. Support will be provided for the purchase of tickets for invited musical artists, for a maximum amount of 7,500 USD (seven thousand five hundred dollars).
2019
Electroacoustics of the world, a cycle of electroacoustic concerts held at Casa del Lago UNAM, in collaboration with the pianist José Wolffer, curated by Pedro Castillo Lara, where music from different sound research laboratories from different countries of the world was exhibited.
2019
CALL FOR WORKS 386 works received from 52 countries. 215 scheduled artists. Mexico, Argentina, Brazil, Spain, England, Portugal and France, UAM Xochimilco, UAM Lerma, Casa del Lago UNAM, Cultural Center of Spain in Mexico, Ex Teresa, Iklectik, Ars Contemporanea, LIPM, UNI Rio, URFJ, UAM Madrid, Université Nice, CESARE, Reims Conservatory, DME Portugal, Seia Conservatory.
2018
Electroacoustics of the world, a cycle of electroacoustic concerts held at Casa del Lago UNAM, in collaboration with the pianist José Wolffer, curated by Pedro Castillo Lara, where music from different sound research laboratories from different countries of the world was exhibited.
2018
CALL FOR WORKS 380 works received from 53 countries. 200 scheduled artists. Mexico, Argentina, Brazil, Spain, England, Portugal and France. UAM Xochimilco, UAM Lerma, National Sound Library. UAM Xochimilco, Radio UNAM, Cultural Center of Spain in Mexico, Ex Teresa, Iklectik, Ars Contemporanea, LIPM, CONSUDEC, UNI Rio, URFJ, UAM Madrid, Nice University, CESARE, Reims Conservatory, DME Portugal, Seia Conservatory.
2017
Electroacoustics of the world, a cycle of electroacoustic concerts held at Casa del Lago UNAM, in collaboration with the pianist José Wolffer, curated by Pedro Castillo Lara, where music from different sound research laboratories from different countries of the world was exhibited.
2017
CALL FOR WORKS 405 works received from 52 countries. 175 scheduled artists. Mexico, Argentina, Brazil, Spain, Portugal and France. UAM Xochimilco, UAM Lerma, Fonoteca Nacional, Radio UNAM, Cultural Center of Spain in Mexico, Ars Contemporanea, UNI Rio, URFJ, UAM Madrid, Université Nice, CESARE, Reims Conservatory, DME Portugal
2016
CALL FOR WORKS 350 works received from 46 countries. 155 scheduled artists. Mexico, Argentina, Brazil, France, England. UAM xochimilco, UNAM, Former TERESA, ESM-CENART Lerma, IMER, UNI Rio, UFJF, CESARE, Reims Conservatory, Nice University, London UK of Chealse, Coventry University Technology Park.
2015
CALL FOR WORKS 280 works received from 46 countries. 180 scheduled artists. Mexico, Argentina, Brazil and France. UAM Xocimilco, UACJ, Casa del Lago UNAM, Cultural Center of Spain in Mexico, ESM-CENART, Fonoteca Nacional, Ars Contemporanea, CONSUDEC, UFRJ, Reims Conservatory, CESARE
2014
CALL FOR WORKS 230 works received from 43 countries. 115 scheduled artists. Mexico City, Nayarit, Veracruz, Tamaulipas: 10 concerts Mexico City: National Sound Library. UAM Xochimilco. Radio UNAM Leon Trotsky Museum Tamaulipas: Reynosa Cultural Park, Nayarit: San Pancho. Vera Cruz: Municipal Palace of Cosoleacaque Veracruz.
Mission
Promote and disseminate contemporary artistic creation.
Generate access to specialized education in music and new technologies.
To promote, through art, respect for the diversity of cultural expressions and the values of coexistence.
Achievements
More than 2000 works by composers from 46 different countries. We have programmed more than 800 artists and offered different workshops, open discussions, artistic residencies, radio concerts, and we can say that each year we have more than 10,000 direct audiences, which has positioned us since 2016 as an Ibero-American platform for culture. .
History
MUSLAB is held annually in different cities around the world, in collaboration with 32 different institutions in Mexico, Brazil, Argentina, Spain, England, France and Portugal in 7 countries.
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Between 2014 and 2021 we have received more than 2000 works by composers from 63 different countries. We have programmed 800 artists, workshops, open discussions, artistic residencies, radio concerts. MUSLAB Ibero-American platform for culture.
Courses and training
Training, courses, workshops and diplomas given by international speakers specialized in audio, production and sound art. MUSLAB includes different training workshops in new technologies, applicable to music, theater, dance, plastic arts, advertising, among other disciplines. These trainings are open to all interested but will aim to involve students from conservatories and schools of music and arts in the region. Our courses range from access to knowledge and use of new technologies to specialized education courses that range from musical and multimedia composition to the creation and programming of new technological components. Recovery of public spaces for peaceful coexistence Conferences, exchanges, lectures, presentations focused on giving access to information and creating a network for artistic exchange, for the dissemination of sound art, scientific and academic knowledge.
MUSLAB Online courses
More than Music - An experience
Personalized, written and multimedia support, courses and consultancies with experienced teachers and speakers and with different international recognitions, work groups, discussion rooms and more.
MUSLAB Online courses
Personalized advice
Personalized advice with teachers and speakers specialized in their field with internationally recognized trajectories
MUSLAB Online courses
What is talent? What is being creative? How to develop it?
Boost to talent and creativity as a dynamic process, a living and changing force of the human being; In other words, it is the engine of personal development and the basis of the progress of any culture.
Materials
Excellent support
Access to multimedia material to consult at any time with exercises, tips and methodologies that will help you develop in your field ..
Digital audio
Creation and development of an audio production!
Directed to musicians, groups, dsic Jokeys, Mc.'s, future producers, public interested in having an introduction to the management and operation of different computer applications, and technologies applied to the treatment of sound and self production from 15- to 85 years
Diploma in Sound Creation
Electroacoustic composition
Creation of electroacoustic works, multichannel sound art, fixed time, deferred time, sound spatialization, creation of multimedia applications.
